The Renowned Filmmaker on His Monumental War of Independence Film Series: ‘We Won’t Work on a More Important Film’
The acclaimed documentarian is now considered not just a historical storyteller; he represents an institution, a one-man industrial complex. With each new documentary series heading for the television, all desire an interview.
Burns has done “more fucking podcasts than I ever thought possible”, he notes, nearing the end of his marathon promotional journey that included 40 cities, 80 screenings and hundreds of interviews. “I think there are 340.1m podcasts, one for every American, and I’ve done half of them.”
Fortunately Burns is a force of nature, equally articulate in interviews as he is productive during post-production. The 72-year-old has gone everywhere from historical sites to mainstream media outlets to promote one of his most ambitious projects: The American Revolution, an extensive six-episode, twelve-hour film project that consumed the past decade of his life and premiered this week on PBS.
Classic Documentary Style
Comparable to methodical preparation in an age of fast food, this documentary series intentionally classic, reminiscent of historical documentary classics as opposed to modern digital documentaries and podcast series.
However, for the filmmaker, whose entire filmography chronicling strands of US history covering diverse cultural topics, the nation’s founding represents more than another topic but foundational. “I recently told collaborator Sarah Botstein during our discussions, and she shared this view: we won’t work on a more important film Burns contemplates from his New York base.
Massive Research Effort
Burns and his collaborators and screenwriter Geoffrey Ward drew upon thousands of books and other historical materials. Dozens of historians, covering various ideological backgrounds, contributed scholarly insights along with leading scholars covering various specialties such as enslavement studies, Native American history and imperial studies.
Distinctive Filmmaking Approach
The style of the series will feel familiar to devotees of The Civil War. The unique approach included gradual camera movements through archival photographs, abundant historical musical selections featuring talent reading diaries, letters and speeches.
This period represented Burns established his reputation; a generation later, currently the elder statesman of documentary filmmaking, he seems able to recruit numerous talented actors. Participating with Burns during a recent appearance, acclaimed writer Lin-Manuel Miranda commented: “A call from Ken Burns commands immediate acceptance.”
Remarkable Ensemble
The extended filming period proved beneficial in terms of flexibility. Filming occurred in studios, at historical sites using online technology, an approach adopted amid COVID restrictions. Burns explains collaborating with actor Josh Brolin, who scheduled a brief window during his travels to perform his role portraying the founding father prior to departing to other professional obligations.
The cast includes numerous acclaimed actors, Jeff Daniels, Morgan Freeman, Paul Giamatti, diverse creative professionals, household names and rising talent, celebrated film and stage performers, British and American talent, versatile character actors, television and film stars, Dan Stevens, Meryl Streep.
Burns adds: “Honestly, this could represent the finest ensemble ever assembled for any movie or television show. Their contributions are remarkable. Selection wasn’t based on fame. It irritated me when questioned, about the prominent cast. I explained, ‘These are artists.’ They represent global acting excellence and they vitalize these narratives.”
Multifaceted Story
However, no contemporary observers remain, modern media forced Burns and his team to depend substantially on primary texts, integrating individual perspectives of multiple revolutionary participants. This approach enabled to present viewers beyond the prominent leaders of that era along with multiple essential to the narrative, numerous individuals lack visual representation.
Burns additionally pursued his personal passion for maps and spatial representation. “I love maps,” he observes, “and there are more maps in this film than in all the other films throughout my entire career.”
Global Significance
Filmmakers captured footage at numerous significant sites in various American regions plus English locations to document environmental context and collaborated substantially with living history participants. Various aspects converge to depict events more bloody, multifaceted and world-changing than the one taught in schools.
The revolution, it contends, transcended provincial conflict over land, taxation and representation. Conversely, the project presents a blood-soaked struggle that eventually involved multiple global powers and improbably came to embody what it calls “the noble aspirations of humankind”.
Internal Conflict Truth
Early dissatisfaction and objections leveled at London by far-flung British subjects in 13 fractious colonies quickly evolved into a brutal civil conflict, dividing communities and households and creating local enmities. During the second installment, academic Alan Taylor comments: “The main misapprehension concerning independence struggle involves believing it represented a unifying experience for colonists. This ignores the truth that colonists battled fellow colonists.”
Nuanced Understanding
According to his perspective, the revolution is a story that “for most of us suffers from excessive romance and wistful remembrance and is incredibly superficial and insufficiently honors for what actually took place, and all the participants and the incredible violence of it.
The historian argues, an uprising that declared the world-changing idea of the unalienable rights of people; a brutal civil war, separating rebels and supporters; and a global war, another installment in a sequence of wars between imperial nations for the “prize of North America”.
Contingent Historical Events
Burns also wanted {to rediscover the